TAMARA MULLER
Tamara Muller describes her work as a “cut-and-paste theater” in which she plays every role herself. “The Game of Life,” research into identity and themes like trauma, mourning, healing and nature are central. Initially working in paintings, collages, and drawings, she has expanded her practice to deepfake film and making utilitarian objects, such as beehives, masks and puppets, while experimenting during artist residencies. These works can serve as the foundation for new series of two-dimensional work, but can also exist independently or as part of an installation. While deeply personal experiences are the start of a work, she uses all these different media to find the right form to tell a more universal story.
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